Category Archives: This Never Happened To Pablo Picasso
To Be Told But I’ve Heard
That brings us to now. For the first time in my entire life, I do not feel much like using words. This is a baffling sensation for me. Words are my paint and paintbrush, my guitar and drum. I can barely summon the will to finish sentences half the time and if I had any skill at all with a camera this would be a photo blog. I don’t know what this all means. Perhaps it’s a stage of life or a stage in every artist’s life where the medium falls away and something else presents itself. At the moment, I want to communicate through the colors and textures of pickled beets and peach butter. The internet, while very useful, does not yet offer us the fragrances of cinnamon and sweet basil. I don’t know how to talk to you without rosemary-infused olive oil.
And there is never enough time to talk, is there? Especially when we don’t want to. There’s never enough time when berries are ripe and skin is warm with sweat and we move through this sweet quietude. In other news: near my sister’s house sits an enormous dairy farm. The homeowners’ association is most exercised about the aroma of cow poop on the breeze.
We’ll Dress Like Minnie Pearl
To my abiding shame, I’ve found Saturday Night Live funny recently, so long as I was looking at one Lindsey Buckingham at a time.
Two more miracles and I’m set for eternity.
Fourteen hours later, Pete and I return from our weekly golf clapping at the health food store where the produce is so beautiful it looks like Vermeer painted it during one of those periods when he didn’t doubt his own existence, and found a car parked with its bumper blocking our driveway. Pete started swearing.
Pete: Rassin frassin pix atuny hibbity bapf!
Tata: Do you know whose car that is?
Pete: It’s the rassin frassin kids’ next door.
Still swearing, Pete got out of the car, walked to the end of the driveway, looked at the bumper and marched across the lawn.
Pete: Pakka bibblix quobboparep bu bu bu flibbit!
I gathered grocery bags, let myself into the house and from the living room, heard him standing on the neighbor’s porch, swearing.
Pete: Kekka woo bob wrokkup pibbiloque!
I threw the bags on the floor and realized the reason I couldn’t breathe was that I was laughing hysterically. Pete threw open the front door, found me draped over the kitchen island, gasping for air. Still swearing, he stomped up the stairs, where I could hear him marching from room to room, swearing.
Pete: Dappa vitchiy gik pooder mos libberdiffy poodicles!
My knees buckled. He stomped down the stairs again to the spot on the floor where I lay, howling.
Pete: Whatcha doin’, sweetie?
I finally took a breath.
Tata: Nothing!
And howled for another ten minutes.
But He Wants To Be A Paperback
I watch his TV show because Biblical archaeology is good storytelling, so I know this face well.
Simcha Jacobovici is the Naked Archaeologist. I don’t know why a person would conflate nakedy nakedness with a painstaking activity carried out in caves, tombs, deserts and dusty museums. No matter. Simcha’s not actually an archaeologist. He’s a filmmaker. He tells stories. Sometimes as I’m watching the show, I have trouble following his very athletic leaps through the texts and history. During two episodes last week, he made if-then statements that took away my breath and I’ll just tell you this: I have a pretty good breathing capacity. I breathe a lot, every day, but not so much when Simcha says museums were looted in Baghdad during the invasion and occupation and oh by the way you can buy these relics in London antique shops for a few thousand clams. Sometimes he says this people over here must be related to that people over there because both had boats or glass or this symbol or called their children Hey You until they turned 30, which can sound like evidence but isn’t always.Yes, I do shout at a TV show about archaeology. Glad you asked. Anyway, now you understand why this story is both surprising and not at all surprising, coming from Simcha:
Are these the nails used to crucify Jesus?
Oh brudder.
The name Caiaphas is rare for the Second Temple era and in fact is totally unknown among archaeological finds. This allowed the digging detectives to say with confidence that the site is the burial cave of the family of Caiaphas, the Jerusalem high priest in Jesus’ time and one of the primary antagonists in Christian scripture.
It was this Caiaphas who gave Jesus up to the Romans. He, along with Judas Iscariot, was the symbol of Jewish treachery, a denier of the truth and the de facto basis for Christian anti-Semitism.
Aside from the ossuaries, the cave held other treasures: coins, a perfume bottle, an oil lamp in an earthenware pot, and two rusty and bent nails. These nails, Jacobovici claims, are no less than the original nails hammered into the hands of Jesus Christ as he was crucified.
He did that without a pole vaulting pit to land in. I’ll let you catch your breath there. Better? Okay, moving on:
And if Jacobovici is to be believed, these nails have the potential to cause a revolution in the way we view early Christianity, the Jewish religion from which Christianity emanated and the relationship between the two faiths. But first one must believe Jacobovici; many, primarily in the archeological world, do not, and even view him as a charlatan.
Jacobovici, an observant Jew sporting a large skullcap, has a light American accent that disappears as his outrage at the archeologists who dismiss his findings grows. He was born in Israel, but has lived in Canada for many years, garnering recognition for several documentaries he has made, including a film on the Israeli-Palestinian conflict and another on the trafficking of women. He has won two Emmys for his work.
Yes yes yes, Simcha is a personable guy, has an interesting way with words and tells a hell of a story.
He gets to interview people I’d love to have a drink with, like Robert Eisenmann. He travels all over the place and has a mountainous pile of stock footage. He is about to present evidence for his claims in a new movie.
Jacobovici’s main claim is that the character of Caiaphas must be reconsidered. According to him, Caiaphas may have changed his mind about Jesus after the crucifixion, and his descendents thought it appropriate to bury the father of Christianity with the nails alongside other items meant to accompany him to the next world.
Jacobovici says that Caiaphas even became a member of the Judeo-Christians – those who maintained their Jewish identity while claiming Christ was the messiah (but not God). Jacobovici says that evidence of Caiaphas’ paradigm shift can be found in multiple places, including the mysterious symbols that were engraved upon the ossuary.
Other archeologists do not rule out the possibility that Caiaphas was buried in the cave; they say it is reasonable to assume that it was the family’s cave, although other members of the family may be buried there.
Dissenting archeologists maintain, however, that although the ossuary is elaborate in design, it is not in the style of a typical high priest burial site.
The excavation of the cave was done by two senior archaeologists, Dr. Zvi Greenhut, today a leading official at the Israel Antiquities Authority, and Dr. Ronny Reich, now the chairman of the Archeological Council, the highest archeological body in Israel.
Jacobovici has been cautiously critical of these two experts for ignoring what he perceives to be the most important finding in the cave: the nails. The other items discovered in the grave have been stored in the warehouses of the Israel Antiquities Authority, and the ossuaries can be viewed at the Israel Museum.
The nails, on the other hand, have been neglected – barely documented in the excavation’s findings and disappearing shortly after the dig. Now, they are in the hands of Simcha Jacobovici.
A few things:
1. The nails disappeared and reappeared? Ruh roh.
2. New movie = publicity stunts. Ruh roh!
3. “The father of Christianity”?
These are problems with the article’s reporting. We can’t discuss problems with Simcha’s theories until I see the movie, which I won’t do without elbow and knee pads, proper footwear and a cushioned helmet. A good story is one thing, but I’m not making any leaps without a solid place to land.
She Wrote Me A Letter
Today, I learned I have to always carry a camera. That’s because I also left my phone at home.
On a filing cabinet in my cubicle, someone left a note in magnets. If it’s still there next week, I’ll take a picture:
delirious beauty
you are a goddess
honey I will always love you
Nineteen syllables, not seventeen; it’s not a haiku. Of course, it makes mention of my incandescent beauty. And the author loves honey.
Lost In the Dangling Conversation
Looters broke into the Egyptian Museum during anti-government protests late on Friday and destroyed two Pharaonic mummies, Egypt’s top archaeologist told state television.
The museum in central Cairo, which has the world’s biggest collection of Pharaonic antiquities, is adjacent to the headquarters of the ruling National Democratic Party that protesters had earlier set ablaze. Flames were seen still pouring out of the party headquarters early on Saturday.
“I felt deeply sorry today when I came this morning to the Egyptian Museum and found that some had tried to raid the museum by force last night,” Zahi Hawass, chairman of the Supreme Council of Antiquities, said on Saturday.
“Egyptian citizens tried to prevent them and were joined by the tourism police, but some (looters) managed to enter from above and they destroyed two of the mummies,” he said.
You know, I’m smaller than a speck of dust in the flow of history, but about that stream, I really do care. I care that we preserve the things about ourselves that teach us where we’ve been, what we did, why and how. It’s not the business of royalty that matters, but the history of a monarchic civilization cannot be written without regard for its monarchs. We can go forward as we choose, but we must know who we have been.
Yeah. I know. Not everyone cares. Events in Egypt are hard to read about and tough to imagine. It’s heartening to see the courage of Egyptians protecting the museum while they stand up to the corrupt government.
You Can Swim the Sea
This week was nothing but struggle. Driving, sliding and skidding through frozen slush gives one a fresh appreciation for the safety of the couch/jammies combo. People went kind of crazy. Thursday, I was talking to a suddenly gimpy co-worker standing in his cubicle when another co-worker buzzed past me holding a bag of ice and somehow the first guy was sitting down with his pants off. This morning, I asked the second co-worker if I had imagined this and she said, “Nope, his pants came off in a flash. Nyuk nyuk.”
Only One Only One Only One
Fifi started kindergarten in September and spent an afternoon in the principal’s office in the first week. I was so proud. Her teacher says, “Fifi, if you don’t do your work you’ll have to sit in the corner.” Fifi says, “Yeah, for how long?” She’s a prodigy. Thus, I was frigging overjoyed when Daria called me up to tell me Fifi had put down her crayons and uttered my name.
Daria: You should see this picture. It’s pink, pink, pink and pink. Pink dress, pink cake, no hair. Fifi says, “This is Auntie Ta at her wedding.”
Tata: I have never worn pink to a wedding.
Daria: You made us wear pink dresses to your first wedding.
Tata: …Proof that I spent 1987 and 1988 tragically underdrunk. That’s your fault, somehow. Had you tossed me in a bathtub and poured Blue Hawaiians down my gullet you might still be drycleaning recycled rice bag shifts with plunging necklines.
Daria: You’ll be pleased to know Fifi gave the original picture to her teacher as a gift because it’s so pretty.
Tata …But you’ll send this to my current husband if I don’t hand over a dozen stuffed artichokes by 5 p.m. tomorrow?
Daria: A pleasure doing business with you.
I Said Hey
This hallway isn’t furry – it’s FERNY. I didn’t actually see this myself, but it was the talk of my office today.
Longwood Gardens just debuted new bathrooms built into a hillside.
The stalls look like zo. Very European, oui?
You Make Me Want To
Daria and I have entire phone conversations modeled on this.






